“Now, none of that,” he said severely. “It’s no good your thinking of me. I’m wedded to my art. We are talking about Mr. Halliday.” “Why do you do it?” asked Miss Ensor.!

Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.” She went up to her room. There really was not much to do. She could quite well finish her packing in the morning. She sat down at the desk and set to work to arrange her papers. It was a warm spring evening, and the window was open. A crowd of noisy sparrows seemed to be delighted about something. From somewhere, unseen, a blackbird was singing. She read over her report for Mrs. Denton. The blackbird seemed never to have heard of war. He sang as if the whole world were a garden of languor and love. Joan looked at her watch. The first gong would sound in a few minutes. She pictured the dreary, silent dining-room with its few scattered occupants, and her heart sank at the prospect. To her relief came remembrance of a cheerful but entirely respectable restaurant near to the Louvre to which she had been taken a few nights before. She had noticed quite a number of women dining there alone. She closed her dispatch case with a snap and gave a glance at herself in the great mirror. The blackbird was still singing.

Ought there not to be a school for reformers, a training college where could be inculcated self-examination, patience, temperance, subordination to duty; with lectures on the fundamental laws, within which all progress must be accomplished, outside which lay confusion and explosions; with lectures on history, showing how improvements had been brought about and how failure had been invited, thus avoiding much waste of reforming zeal; with lectures on the properties and tendencies of human nature, forbidding the attempt to treat it as a sum in rule of three? “Well, you see, dear,” explained the little old lady, “he gave up things. He could have ridden in his carriage”—she was quoting, it seemed, the words of the Carlyles’ old servant—“if he’d written the sort of lies that people pay for being told, instead of throwing the truth at their head.” The suggestion that was forcing itself into her brain was monstrous—unthinkable. That, never possessed of any surplus vitality, and suffering from the added lassitude of illness, the woman should have become indifferent—willing to let a life that to her was full of fears and difficulties slip peacefully away from her, that was possible. But that she should exercise thought and ingenuity—that she should have reasoned the thing out and deliberately laid her plans, calculating at every point on their success; it was inconceivable.